I’m a designer, dreamer, and nature enthusiast. My love for art and design shapes the work that I do.
Shuyang Ji
This project critiques the unequal and stereotypical discrimination experienced by individuals in certain professions under societal influence, highlighting the conflict between their professional facade and self-identity. By using “Wing Chun” as a visual symbol, it underscores the “invisibility” of massage therapists’ professional skills, which align with societal expectations. This approach leverages specific material forms to construct a stable self-image, fostering professional identity recognition.
symbosis island
In an atomized society, the poet John Donne reminds us that “No man is an island.” This project uses an immersive light and shadow installation to metaphorically represent each individual as an irreplicable “infinite singularity,” showcasing the uniqueness of their inner world, while emphasizing that continuous interaction between the individual and the external world is both a challenge and an opportunity for growth.
HER HAVEN
In this project, we collected examples of design details in daily life that are unfriendly to women, or superficial improve- ments that lack genuine care. We realized that truly women-friendly spaces are still a distant goal. Therefore, we inter- vened in real-life scenarios with visual methods, redesigning everyday objects and spreading friendly slogans to create an idealized prototype of a women-friendly community. This community is not just an imagined utopian care model but aims to provide a possibility for realizing women-friendly spaces in real life.
In this project, I focus on the ” The Stranger” group, and aim to evoke a sense of attachment to the homeland among a generation by constructing place-impression- based cultural symbols in a dynamic, mobile society.